Home Recording Studio

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Until the year 2012 I was a 100% analog musician. I had used Finale since 2001, but that was the extent of my relationship with music technology. I was so obsessed with musical “purism” that I foolishly decided as a young person that I wouldn’t so much as write music with percussion in it. Well, times have changed.

In 2012 I began a Master’s degree (2012-2014) in music composition at the University of Utah. During my first semester, I was introduced to Logic Pro which I had to buy and use to create “electro-acoustic” music for a course.

Logic Pro is the professional version of Garage Band. It is an Apple-owned software used to create, record, mix, master, and produce music. These are called DAWs or Digital-Audio Workstations.There are many types of software like Logic: Pro-Tools (industry standard), Steinberg Cubase, Presonus Studio One, Reaper, Audacity, and Reason. Here’s a picture of my Mac running Logic Pro 9.

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Look at them, shop around. I prefer Logic Pro because that’s what I was introduced to. It’s expensive because it can only run on Apple Computers, which are expensive. I know producers who use Cubase, Presonus, and Pro-Tools. I’d recommend something that can run on either Windows or Mac.

Another consideration to make about computers, is that you want at least 16 GB of RAM and a high end processing speed (I use a 2.9 GHz Intel Core i7 processor) in order to run everything smoothly. Make sure the hard drive is solid state as well.

Getting good speed and RAM is cheaper when you buy a PC – it is quite expensive on an Apple computer.

I’ll get into DAWs in another post where I can go into more detail about how effective they are and what you can create with them.

My Epiphany

So I used Logic to record random projects, experiment, and have a good time. In 2014, I bought a midi keyboard to help me make projects go faster in Finale.88 key.jpgIn 2015 I took some extra music lessons from a film composer and I learned from him about virtual instrument libraries. I had known about Garritan Personal Orchestra and others, but I never actually knew how to use them or what their true value was.

I learned from this composer that I should experiment with Eastwest Sound Libraries. My epiphany was that if I could record and produce music in my own house, then I should do it! If God blessed me with the ears and fingers to write music, then why shouldn’t I be sharing that with the world?

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Now these sound libraries produce excellent sounding instruments. I control the instruments from my midi keyboard (which produce thrillingly authentic sounds) and then my DAW, Logic Pro, keeps track of what I input into the program. So after laying down multiple instrument tracks, I can have my computer playing symphonic music back to me that sounds true to life. This is not like finale’s playback button that can make pretty sounds – this can make your heart throb.

So I bought a $650.00 package that came with all the instruments of the Symphonic Orchestra. Those instruments sit on an external hard drive and are at my beck and call. When I need them, they play for me.symphonic orchestra.png

In addition to that, I pay a $29.99 per month subscription to 9,000 other virtual instruments, many of which I use in my studio every day.

I spent the months of October experimenting with these sounds. I made several short demos to show off how great this instruments sound. One day I spend eight hours making this 8 second clip of the Star Wars Main Theme:

I also made some original demos using these virtual instruments:

So once I got familiar with these virtual instruments, I knew that I needed to be able to record as well.

So I took several online courses at Udemy.com one of which was “How To Record Voice Like a Pro.” I waited until these $200 courses were on sale for $15 each. I took online courses in mixing, editing, recording, etc. This was a turning point in my life.

I knew that to start recording I needed:

  1. A Microphone
  2. An Audio Interface
  3. A room that was acoustically treated well enough in which to record audio

Luckily for you and me, there is an awesome package sold by Presonus that contains everything you need to start with.

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This package comes with a DAW by Presonus, a large diaphragm condenser microphone (cardioid pattern), mixing headphones, audio interface, boom stand, and cables.

Everything you need to start recording is in this package. This is one here is only $219.00.

I bought this package and have subsequently purchased another microphone which I LOVE!

 

When we purchased the equipment, we hung hung blankets and mattress pad foam on the walls. The basic idea is that we want to reduce the reflection of sound waves in the room so that reverberation does not come back into the microphone and detract from the clarity of the signal.

We also purchased this reflection filter that seeks to dissipate the singer’s sound waves immediately after being picked up by the microphone.SE reflection filter.jpg

We’ve recorded speech for theatre auditions, pop songs, opera arias, instrumentalists, and more. We create our own minus tracks with my virtual instrument library and we produce our own music from the comfort and convenience of our own home.

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Oh, and once the school year ends we’ll be un-employed besides teaching music lessons so come on over if you want to record, have flute, clarinet, sax, voice, piano, theory or another kind of music lesson. We currently teach voice, piano, flute, and music theory lessons. 🙂

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Amazing Grace | New Music Video

Here is our new music video of “Amazing Grace.” In our last post we discussed how we had originally arranged it for orchestra, reduced it into 7 clarinet parts, and made a recording of it.

Now we’re going to discuss the process of making a music video.

After we were finished recording the music track (click here to read about how we did that) we called up Dane Christensen, our awesome videographer, to schedule a filming appointment. He ended up not being able to make any appointments work as he now lives in California. So we called up Tanner Nielson, Dane’s buddy, and made an appointment with him. He is awesome as well!

Family Picture!

Family Picture!

FILMING

We decided to head up to a mountain trail in Layton, Utah – a location that Tanner suggested – and we brought:

  • Bb Clarinet (my new professional model – yayyy!)
  • Bass Clarinet (cheap model which I bought new in January of 2014 – it cost me $1,700, and while it’s not the ideal instrument, it was cheaper than these amazing Buffet models.)
  • Baby in carseat/blankets/diaper bag
  • iphones and/or portable bluetooth speakers

It’s important to have the speakers. Even if you can perform your music perfectly in the filming setting (say you have a piano and all the instruments you need) you’re not going to film the actual music. If you did, you would not get the best studio recording sound that you would want in your music video. You should first make the music just how you want it in the recording studio and then mime/play along with it in the filming. In the end, the audio from the filming will be deleted and replaced with the audio from your studio recording.

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We went out to a trail and I turned on the track to play along with. (Play along with the exact same track you’ll be using in the final audio/video mix – if you don’t, then your words and notes won’t line up properly.)

We filmed me on my little clarinet in one location. I played along with the track (which was playing from my iPhone in my back pocket). I then did the same thing with my bass clarinet and we repeated the process in a few other locations on the mountain trail.

While I played the clarinet, Kacee was feeding our baby girl. After twenty or so minutes, I took the baby and burped her while Tanner filmed Kacee singing. We then got some shots done together while the baby lay in her carseat as close to us as possible and as far away from the spiders and dirt as possible.

Burping the Baby

Burping the Baby

In the end we got some drone shots and Tanner almost crashed his drone into the trees. Pretty funny story when told by someone other than myself. Ha… 🙂 No really, still pretty awesome and funny. 🙂

So then in the end Tanner took all the footage back to his house and then lined up the best footage with the awesome master track which we had prerecorded. This is facilitated by the fact that we were playing/singing along with that track.

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And that’s how we got this beautiful video! Thanks Tanner and Clive!!!!

Here’s a demo of the orchestral version:

O Divine Redeemer | New Music Video

Hello all, and welcome back to the Brick Playhouse!

We are just finishing up all of our nesting projects in preparation for our little one coming in about one month. The most exciting project of all, will be our new lullaby CD we made for our future little girl.

We have been singing and making music for the entire duration of Kacee’s pregnancy so far. Kacee has sung at the Met Competition, we’ve been taking and teaching voice lessons, singing in choirs, and singing together at our piano at home.

In other words, our little one is very familiar with a lot of music already. And we’re not talking about vibrations being manufactured by speakers and entering the womb through the mediums of air and skin – we’re talking about about a seemingly omnipresent resonance from a mother’s voice gently oscillating the womb from the inside.

This is why we’re making a lullaby CD for her. We want to remind her of all the beautiful music she’s been learning in there. We want to make her feel at home by hearing the song of her mother’s voice and her daddy playing the piano.

And here is our first music video made from our album of lullabies for baby girl.

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And here’s a shoutout to our awesome videographer: http://www.srndpts.com

I Believe – New recording of a song I wrote while on my mission

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Credo – I Believe <——— Click here to hear the song

Most people who know us know that Kacee and I met in 2008 at Utah State University studying vocal performance. Maybe fewer people know that we dated in 2009 and I, Shane, left to serve an LDS mission from 2010 – 2012. We corresponded while I was gone and we decided to get married in March of 2013.

While I was on my mission, Kacee sent me these words in a letter. I had never heard the music that accompanied the text, so I decided that I would write some music of my own to this text. I had very limited access to a piano so I actually wrote it without one. When I had composed the piece I sent it back to Kacee, and I also had the opportunity to perform it a couple of times on my mission – once with Sister Ryan. In this recording linked to this blogpost, I am playing the piano and my wife, Kacee, is singing:

I believe for every drop of rain that falls
A flower grows,
I believe that somewhere in the darkest night
A candle glows.
I believe for everyone who goes astray
Someone will come to show the way.
I believe, I believe,
I believe.
I believe above the storm
The smallest prayer, will still be heard.
I believe that someone in that great somewhere
Hears every word
Every time I hear a newborn baby cry,
Or touch a leaf
Or see the sky,
Then I know why I believe.

Lyrics by: Al Stillman, Ervin Drake, Irvin Graham, Shirl Jimmy

Credo – I Believe <——— Click here to hear the song